The transformation of space defines how people connect with a brand. Architecture becomes experience, construction becomes encounter. Public environments are never static — they shift, adapt, and demand new perspectives. Spatial design turns raw structures into impressions that stay long after the moment has passed.
No space is ever truly empty. Through spatial design, every environment carries an identity — shaped by art, architecture, and human presence. When people are drawn in and connected, even raw structures unfold into immersive experiences. This is how public art and design transform construction into story, and space into memory.
One night in Berlin, under the shadow of the Boros Bunker, Digital Fruits appeared—oversized, polygonal sculptures smuggled from virtual reality and suspended high in the branches of a towering tree, turning the city into a fleeting data orchard. By dawn, the tree had become a portal between digital and analog worlds. By dusk, Mrs. Boros herself asked me to take it all down.
Nevertheless, that single act of guerrilla art took root, blossoming into Digital Fruits: a series tracing six chapters of our data story—from the dreamers of the early internet to today’s self-automating intelligence.
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A 900-square-meter, two-floor installation in the center of a mall redefines construction material as pure art. Industrial mesh—originally engineered for landscaping—is repurposed into a multi-layered grid that transforms a commercial space into an immersive environment. Over 120 meticulously designed and painted layers create a kinetic interplay of color, shadow, and depth, with translucent planes adding dimension and graphic precision.
The result is an experiment in perception and scale: architecture becomes image, engineering becomes atmosphere, and a functional material evolves into a tool for distraction.
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